The town of Sanchi is full of serenity and spirituality. It is a treasure trove of stone buildings surrounded by green hills. As one of the prominent landmarks in the Buddhist circuit, being a Buddhist shrine, a legacy of high-level Buddhist monuments such as the Sanchi Stupa or the Pillar of Ashoka is found in Sanchi. Strolling through the various buildings, it is impossible not to be transported back to the time when many saffron-clad Buddhist monks used to throng Sanchi, perhaps chanting “Buddham Sharanam Gacchami”. This peacefulness displayed by Sanchi probably testifies to the ease of one man, the emperor Ashoka belonging to the great Mauryan dynasty. In keeping with its purpose, the shrine has been a silent and patient witness to the rise and fall of empires, quietly securing its place in history and mythology. The magnificent sculptures adorning the various monuments illustrate the various teachings given by Lord Buddha.
...It is said that Ashoka transformed himself in a turn of events from a violent warrior to a benevolent ruler. This transformation of the heart is said to have occurred after the vicious battle of Kalinga that claimed many lives. His experience changed Ashoka and he ordered the construction of stupas to safeguard the various Buddhist relics and to propagate Buddhism. He was convinced that the philosophy of Buddhism offered the potential for positive transformation that the planet needed. It is suggested that Ashoka was inspired by the Capitol on which the stupa now stands to choose this site as the site of his religious center. The earliest Buddhist architecture in Sanchi has been dated to the early Mauryan period in the third century B.C. and therefore the most recent is attributed to the 12th century A.D. At this time several new buildings were constructed and the Great Stupa was therefore decorated with balustrades, steps, and a harmika. In the first century B.C., the Andhra-Satavahanas added elaborate gates to the Stupa 1. In turn, the Gupta period saw the development of numerous temples and sculptures in their characteristic style. It was also during this period that four statues of Lord Buddha, sitting serenely under canopies were erected in front of the four entrances of the good Stupa. The city of Sanchi enjoyed great prosperity between the 7th and 12th centuries CE.
Read MoreThe Raja Bhoj Airport in Bhopal is the nearest airport, 55 km away. This airport is well-connected with other domestic airports.
Nearby towns easily accessible by road include Vidisha (10 km), Bhopal (46km) and Indore (232 km).
Bhopal is the nearest railway station. There is a Delhi-Bhopal Shatabdi express that runs every day providing easy access. The Railway station is well connected with other parts of the country through train. Sanchi can be reached through bus or car from the Bhopal railway station.
The stupa is an imposing structure that is 42 feet high and 106 feet wide. It is possible that the central chamber of the stupa is a large hemispherical dome that houses several relics of the Buddha. Traditionally, however, stupas do not contain relics and merely illustrate teachings and philosophies through carvings. The Sanchi shrine is surrounded by elaborate toranas which are self-supporting arched doorways used for ceremonial purposes in Indian temple architecture.
These intricate carvings are inspired by the events and miracles of the Buddha’s life from the Buddhist stories of the jataka. It was held up by a raised terrace around its base and enclosed by a wooden balustrade surmounted by a stone umbrella. The stupa can often be seen at a distance of 4 km, surrounded by green trees, and it forms the core around which the other stupas were built.
The town of Vidisha is located at the junction of the Betwa and Bes rivers, only 9 km from Sanchi. This town was called Besnagar at one time. The city was a crucial part of Emperor Ashoka’s rule and was renamed Vidisha in honor of his wife, Devi, who was named Vedisa-Mahadevi.
The latter was the daughter of a merchant who lived near Vidisha. There are many monuments of archaeological and historical importance here, as the city was a crucial center of trade during the 5th and thus 6th centuries. According to local legend, Vidisha was such an influential place that it is mentioned in the epic Ramayana and in the Meghdoot. According to historical records, Vidisha retained its importance even during the golden reign of the Mauryan Empire and the Gupta Empire. At present Vidisha attracts the voyagers for its interesting ruins of the Bija Mandal temple and the Gumbaz ka Makbara. The immense dimensions of the Bija Mandal have led many to draw comparisons between this temple and the one at Konark in Odisha. One can also travel to nearby Gyaraspur to visit other ancient sites. The famous Udaygiri caves are also in the vicinity. They contain various important inscriptions from the Gupta period. There is also a pillar of Heliodorus which is said to have been built in 110 BC and is called Khamba Baba. According to local legend, the pillar was built by Heliodorus after he converted to Hinduism and became a lover of Lord Vishnu. There is an archaeological museum in the vicinity, which houses antiquities dating back to the 9th century.
These caves of the Gupta period, located about 5 km west of Vidisha and 13 km from Sanchi, bear witness to the skill of the craftsmen in carving religious sculptures so intricate and grandiose that they still inspire aesthetic admiration. There are 20 caves in total and one should try to visit as many as possible. They were carved out of sandstone hills in the 4th and 5th centuries. They contain inscriptions in Brahmi that allow us to establish their chronology.
The relief representations, such as the iconographic representation of the boar incarnation of Vishnus in Cave 5, are considered to be among the finest examples of Gupta art. The Varaha figure tells the story of how Lord Vishnu saved the goddess Earth from the demon Hiranyaksha, who had abducted her and taken her to the depths of the ocean. It measures 7 x 4 square meters. This scene has also been hailed as an allegorical statement by the Gupta kings about their ability to protect their land from all evils. These cave temples are considered to be among the simplest and therefore oldest examples of religious architecture in India. The shivling chapel is particularly interesting as its walls are decorated with intricate mythological carvings.
The Buddhist vihara at Sanchi is a place worth visiting. Unlike the older viharas, this one is not carved in wood. It had been the main residence of the monks and had a central space dedicated to common activities. It is surrounded by small rooms where monks can sleep individually.
It is considered one of the most important Buddhist centers and is located a few kilometers from Sanchi. The remains of the Satdhara Stupa can also be found here. Within the vihara is a glass box on a platform, which houses many relics. Thousands of devotees who come here to get a glimpse of the Buddhist culture visit this place. Tourists visit the Buddhist vihara first before going to the other vihara.
Perhaps the greatest attraction of Sanchi is the Ashoka Pillar, located near the southern gate of the famous Sanchi Stupa. The pillar is believed to have been erected in the 3rd century B.C. It is almost identical to the pillar at Sarnath. The entire structure has not been preserved, but the shaft of the pillar can be seen from the doorway, so the crown has been put on display in a museum. The crown of the pillar is its most interesting feature.
It bears the ornament of four royal lions facing in four directions and turning their backs to each other. This figure is considered an impressive example of the aesthetic elegance and consequently of the exquisite structural balance characteristic of Mauryan architecture. The representation of this figure containing the four lions has been adopted as the national emblem of India. It is the lions on this Ashoka pillar that do not support the Dharmachakra, or the wheel of dharma, the law. It is worth visiting the Sanchi Museum just to witness the inspiration of the national emblem in its historical and heritage setting.
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